|
2011-2012 |
|
|
KIMBERLY AKIMBO |
David Lindsay-Abaire / Dir. Jane Toczek |
|
MOONLIGHT AND MAGNOLIAS |
Ron Hutchinson / Dir. Tracie Lango |
|
ALL MY SONS |
Arthur Miller / Dir. Catherine Pappas |
|
THE DEADLY GAME |
James Yaffe (after F. Duerrenmatt) / Dir. Yaga Brady |
|
TARTUFFE |
Molière (trans. R. Wilbur) / Dir. Rhonda Goldstein |
|
|
|
|
2010-2011 |
|
|
THE NIGHT OF THE IGUANA |
Tennessee Williams / Dir. Yaga Brady |
|
THE LAST NIGHT OF BALLYHOO |
Alfred Uhry / Dir. Loretta Lucy Miller & Marilyn Yoblick |
|
PRIVATE LIVES |
Noel Coward / Dir. Rhonda Goldstein |
|
MUD, RIVER, STONE |
Lynn Nottage / Dir. Tracie Lango |
|
THE PRICE |
Arthur Miller / Dir. David Flagg |
|
|
|
|
2009-2010 |
|
|
NIGHT WATCH |
Lucille Fletcher / Dir. Tracie Lango |
|
THE MATCHMAKER |
Thornton Wilder / Dir. Yaga Brady |
|
A SOLDIER’S PLAY |
Charles Fuller / Dir. Marilyn Yoblick |
|
THE VIOLET HOUR |
Richard Greenberg / Dir. Patrick Martin |
|
THE FANTASTICKS |
Tom Jones (book and lyrics) / Harvey Schmidt (music)
Dir. Samuel Heifetz & Catherine Pappas |
|
|
|
|
2008-2009 |
|
|
SIDE BY SIDE BY SONDHEIM |
Stephen Sondheim (music & lyrics) / Dir. Joseph Krupa & Steve Pollack |
|
INCORRUPTIBLE |
Michael Hollinger / Dir. Estelle Schaffer |
|
A RAISIN IN THE SUN |
Lorraine Hansberry / Dir. Marilyn Yoblick |
|
LADIES IN RETIREMENT |
Edward Percy & Reginald Denham / Dir. Yaga Brady |
|
ALMOST, MAINE |
John Cariani / Dir. Catherine Pappas |
|
JAKE’S WOMEN |
Neil Simon / Dir. David Flagg |
|
|
|
|
2007-2008 |
|
|
BORN YESTERDAY |
Garson Kanin / Dir. Marilyn Yoblick |
|
THE VISIT |
Friedrich Duerrenmatt (trans. M. Valency) / Dir. Yaga Brady |
|
INTIMATE APPAREL |
Lynn Nottage / Dir. Catherine Pappas |
|
QUARTET |
Ronald Harwood / Dir. Christopher Sarnowski |
|
GOING TO ST. IVES |
Lee Blessing / Dir. Joe Herman |
|
PLAZA SUITE |
Neil Simon / Dir. David Flagg (I) Patrick Martin (II) Jane Toczek (III) |
|
|
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|
2006-2007 |
|
|
RED HERRING |
Michael Hollinger / Dir. Patrick Martin |
|
THE LITTLE FOXES |
Lillian Hellman / Dir. Yaga Brady |
|
FENCES |
August Wilson / Dir. Dave Ebersole |
|
NOISES OFF |
Michael Frayn / Dir. Catherine Pappas |
|
A SHAYNA MAIDEL |
Barbara Lebow / Dir. Marilyn Yoblick |
|
THAT CHAMPIONSHIP SEASON |
Jason Miller / Dir. David Flagg |
|
|
|
|
2005-2006 |
|
|
A SHOT IN THE DARK |
Harry Kurnitz (after M. Achard) / Dir. Yaga Brady & Pierlisa Chiodo-Steo |
|
COYOTE ON A FENCE |
Bruce Graham / Dir. Catherine Pappas |
|
BUS STOP |
William Inge / Dir. Marilyn Yoblick |
|
FOR RICHER OR POORER |
Susan Glaspell (Trifles) / Dir. Jane Toczek |
|
(3 One-Act Plays) |
Jason Miller (Lou Gehrig Did Not Die of Cancer) / Dir. David Flagg |
|
|
Dario Fo (The Virtuous Burglar) / Dir. Kirk Paul |
|
THE CHERRY ORCHARD |
Anton Chekhov (trans. Y. Brady) / Dir. Yaga Brady |
|
LAUGHTER ON THE 23rd FLOOR |
Neil Simon / Dir. Marilyn Yoblick |
|
|
|
|
2004-2005 |
|
|
SHERLOCK’S LAST CASE |
Charles Marowitz / Dir. Marilyn Yoblick |
|
BOOK OF DAYS |
Lanford Wilson / Dir. Patrick Martin |
|
OVER THE RIVER AND THROUGH THE WOODS |
Joe DiPietro / Dir. Jules Novelli |
|
THE TRIUMPH OF LOVE |
Pierre Marivaux (adapt. S. Wadsworth) / Dir. Yaga Brady |
|
SIDE MAN |
Warren Leight / Dir. Estelle Schaeffer |
|
ROOM SERVICE |
John Murray & Allen Borentz / Dir. Catherine Pappas |
|
|
|
|
2003-2004 |
|
|
ARSENIC AND OLD LACE |
Joseph Kesselring / Dir. Yaga Brady |
|
THE LION IN WINTER |
James Goldman / Dir. Sally Minter |
|
BUTTERFLIES ARE FREE |
Leonard Gershe / Dir. Marilyn Yoblick |
|
DIAL ‘M’ FOR MURDER |
Frederick Knott / Dir. Yaga Brady |
|
A VIEW FROM THE BRIDGE |
Arthur Miller / Dir. Catherine Pappas |
|
THE GLASS MENAGERIE |
Tennessee Williams / Dir. Estelle Schaeffer |
|
|
|
|
2002-2003 |
|
|
RETURN ENGAGEMENT |
Bernard Slade / Dir. Eddie Dobbs |
|
ENTER LAUGHING |
Joseph Stein / Dir. Joe Piazza |
|
THE DRESSER |
Ronald Harwood / Dir. Yaga Brady |
|
THE RIDE DOWN MOUNT MORGAN |
Arthur Miller / Dir. Catherine Pappas |
|
DANCING AT LUGHNASA |
Brian Friel / Dir. Sally Minter |
|
THE VAMPYRE |
Tim Kelly / Dir. Estelle Schaeffer |
|
|
|
|
2001-2002 |
|
|
AN ACT OF THE IMAGINATION |
Bernard Slade / Dir. Marilyn Yoblick |
|
ONE OF THE ALL TIME GREATS |
Charles Grodin / Dir. J. Randall Rosensteel |
|
WRONG TURN AT LUNGFISH |
Garry Marshall / Dir. Tish Matlack |
|
CAT ON A HOT TIN ROOF |
Tennessee Williams / Dir. Eddie Dobbs |
|
AS BEES IN HONEY DROWN |
Douglas Carter Beane / Dir. Sally Minter |
|
MIRANDOLINA (The Mistress of the Inn) |
Carlo Goldoni (trans. S. Wadsworth) / Dir. Yaga Brady |
|
|
|
|
2000-2001 |
|
|
THE CHAMPAGNE CHARLIE STAKES |
Bruce Graham |
|
GREETINGS! |
Tom Dudzick |
|
WHO’S AFRAID OF VIRGINIA WOOLF? |
Edward Albee |
|
ROOMIES (4 One-Act Episodes) |
Nancy Frick |
|
THE WOMAN IN BLACK |
Stephen Mallatratt (after S. Hill) |
|
LADY WINDERMERE’S FAN |
Oscar Wilde |
|
|
|
|
1999-2000 |
|
|
SYLVIA |
A. R. Gurney |
|
MOON OVER BUFFALO |
Ken Ludwig |
|
PARK YOUR CAR IN HARVARD YARD |
Israel Horovitz |
|
OTHER PEOPLE’S MONEY |
Jerry Sterner |
|
RAVENSCROFT |
Don Nigro |
|
SLY FOX |
Larry Gelbart (after Volpone) |
|
|
|
|
1998-1999 |
|
|
I’LL BE BACK BEFORE MIDNIGHT |
Peter Colley |
|
INSPECTING CAROL |
Daniel Sullivan & The Seattle Repertory Co. |
|
MOON OVER THE BREWERY |
Bruce Graham |
|
LIPS TOGETHER, TEETH APART |
Terrence McNally |
|
DON’T DRESS FOR DINNER |
Marc Camoletti |
|
THE ADMIRABLE CRICHTON |
J. M. Barry |
|
|
|
|
1997-1998 |
|
|
THE ODD COUPLE (female version) |
Neil Simon |
|
AN IDEAL HUSBAND |
Oscar Wilde |
|
LATER LIFE |
A. R. Gurney |
|
THE SISTERS ROSENSWEIG |
Wendy Wasserstein |
|
SHADOWLANDS |
William Nicholson |
|
FOREVER PLAID |
Stuart Ross (book) / James Raitt (music) |
|
|
|
|
1996-1997 |
|
|
LETTICE AND LOVAGE |
Peter Shaffer |
|
POSTMORTEM |
Ken Ludwig |
|
LOVE LETTERS |
A. R. Gurney |
|
MIXED EMOTIONS |
Richard Baer |
|
THE RAINMAKER |
N. Richard Nash |
|
TABLE MANNERS |
Alan Ayckbourn |
|
|
|
|
1995-1996 |
|
|
BRAVO, CARUSO! |
William Luce |
|
DANGEROUS CORNER |
J. B. Priestley |
|
THE KINGFISHER |
William Douglas Home |
|
THE ROAD TO MECCA |
Athol Fugard |
|
THE CEMETERY CLUB |
Ivan Menchell |
|
I HATE HAMLET |
Paul Rudnick |
|
|
|
|
1994-1995 |
|
|
LEND ME A TENOR |
Ken Ludwig |
|
BELL, BOOK AND CANDLE |
John Van Druten |
|
MURDER AT THE HOWARD JOHNSON’S |
Ron Clark & Sam Bobrick |
|
THE NORMAL HEART |
Larry Kramer |
|
THE FOURPOSTER |
Jan de Hartog |
|
THE SCHOOL FOR WIVES |
Molière (trans. R. Wilbur) |
|
|
|
|
1993-1994 |
|
|
BEST OF FRIENDS |
James Elward |
|
I’M NOT RAPPAPORT |
Herb Gardner |
|
THE COCKTAIL HOUR |
A. R. Gurney |
|
BUSYBODY |
Jack Popplewell |
|
THE WHALES OF AUGUST |
David Berry |
|
PETTICOAT FEVER |
Mark Reed |
|
|
|
|
1992-1993 |
|
|
CROSSING DELANCEY |
Susan Sandler |
|
SOMEONE WAITING |
Emlyn Williams |
|
DEAR LIAR |
Jerome Kilty |
|
OUR TOWN |
Thornton Wilder |
|
THE SHOW-OFF |
George Kelly |
|
RUMORS |
Neil Simon |
|
|
|
|
1991-1992 |
|
|
REHEARSAL FOR MURDER |
Richard Levinson & William Link |
|
BROADWAY BOUND |
Neil Simon |
|
DRIVING MISS DAISY |
Alfred Uhry |
|
PACK OF LIES |
Hugh Whitemore |
|
PYGMALION |
George Bernard Shaw |
|
SOCIAL SECURITY |
Andrew Bergman |
|
|
|
|
1990-1991 |
|
|
THE FOREIGNER |
Larry Shue |
|
BEYOND REASONABLE DOUBT |
Jeffrey Archer |
|
MY THREE ANGELS |
Sam & Bella Spewack |
|
EIGHTY-FOUR CHARING CROSS ROAD |
Helene Hanff |
|
TO GILLIAN ON HER 37th BIRTHDAY |
Michael Brady |
|
STEEL MAGNOLIAS |
Robert Harling |
|
BALLAD OF DR. JEKYLL AND MR. HYDE |
Michael Parks (music) / Paul Godish (lyrics) |
|
|
|
|
1989-1990 |
|
|
SPIDER’S WEB |
Agatha Christie |
|
THE CONSTANT WIFE |
W. Somerset Maugham |
|
MASS APPEAL |
Bill C. Davis |
|
GOING TO SEE THE ELEPHANT |
Karen Hansel, Elana Kent, et al. |
|
A TALENT FOR MURDER |
Jerome Chodorov & Norman Panama |
|
ELEEMOSYNARY |
Leo Blessing |
|
SING FOR YOUR SUPPER - a musical review |
Richard Rodgers (music) / Lorenz Hart (lyrics) |
|
|
|
|
1988-1989 |
|
|
ALONE TOGETHER |
Lawrence Roman |
|
THE BROWNING VERSION |
Terence Rattigan |
|
EDUCATING RITA |
Willy Russell |
|
OUT OF SIGHT … OUT OF MURDER |
Fred Carmichael |
|
THE COUNTRY GIRL |
Clifford Odets |
|
PLAY ON! |
Rick Abbott |
|
MAD WOMAN OF CHAILLOT |
Jean Giraudoux (trans. M. Valency) |
|
|
|
|
1987-1988 |
|
|
WHEN WE ARE MARRIED |
J. B. Priestley |
|
THE TRIP TO BOUNTIFUL |
Horton Foote |
|
THE HOUSEKEEPER |
James Prideau |
|
CLIFFHANGER |
James Yaffe |
|
GALILEO |
Bertolt Brecht |
|
KEEPING DOWN WITH THE JONESES |
John Chapman & Jeremy Lloyd |
|
|
|
|
1986-1987 |
|
|
TOWARDS ZERO |
Agatha Christie |
|
THE WINSLOW BOY |
Terence Rattigan |
|
PAINTING CHURCHES |
Tina Howe |
|
THE PLEASURE OF HIS COMPANY |
Samuel Taylor |
|
THE GHOST TRAIN |
Arnold Ridley |
|
THE GOOD DOCTOR |
Neil Simon |
|
|
|
|
1985-1986 |
|
|
ROMANTIC COMEDY |
Bernard Slade |
|
BECKET (The Honor of God) |
Jean Anouilh (trans. L. Hill) |
|
THE GIN GAME |
D. L. Coburn |
|
THE DINING ROOM |
A. R. Gurney |
|
NIGHT OF JANUARY 16TH |
Ayn Rand |
|
LLOYD GEORGE KNEW MY FATHER |
William Douglas Home |
|
|
|
|
1984-1985 |
|
|
THE GIRLS IN 509 |
Howard Teichmann |
|
THE OLDEST LIVING GRADUATE |
Preston Jones |
|
MURDER AMONG FRIENDS |
Bob Barry |
|
THE IRREGULAR VERB TO LOVE |
Hugh & Margaret Williams |
|
RASHOMON |
Fay & Michael Kanin (after R. Akutagawa) |
|
DON’T STEP ON MY FOOTPRINT |
Fred Carmichael |
|
|
|
|
1983-1984 |
|
|
LUNCH HOUR |
Jean Kerr |
|
THE HEIRESS |
Ruth & Augustus Goetz (after H. James) |
|
I OUGHT TO BE IN PICTURES |
Neil Simon |
|
TO GRANDMATHER’S HOUSE WE GO |
Joanna M. Glass |
|
MONIQUE |
Dorothy & Michael Blankfort |
|
THE IMAGINARY INVALID |
Molière (trans. M. Stone) |
|
|
|
|
1982-1983 |
|
|
OPAL IS A DIAMOND |
John Patrick |
|
THE LARK |
Jean Anouilh (adapt. L. Hellman) |
|
ON GOLDEN POND |
Ernest Thompson |
|
MORNINGS AT SEVEN |
Paul Osborn |
|
DEATHTRAP |
Ira Levin |
|
THIEVES’ CARNIVAL |
Jean Anouilh (trans. L. Hill) |
|
|
|
|
1981-1982 |
|
|
CHAPTER TWO |
Neil Simon |
|
DEATH OF A SALESMAN |
Arthur Miller |
|
DR. COOK’S GARDEN |
Ira Levin |
|
ROMANOFF AND JULIET |
Peter Ustinov |
|
TRIBUTE |
Bernard Slade |
|
CHARLIE’S AUNT |
Thomas Brandon |
|
THE WALTZ OF THE TOREADORS |
Jean Anouilh (trans. L. Hill) |
|
|
|
|
1980-1981 |
|
|
THE SECOND TIME AROUND |
Henry Denker |
|
SHE STOOPS TO CONQUER |
Oliver Goldsmith |
|
THE HOLLOW |
Agatha Christie |
|
THE WISDOM OF EVE |
Mary Orr & Reginald Denham |
|
I AM A CAMERA |
John Van Druten |
|
WAITING IN THE WINGS |
Noel Coward |
|
|
|
|
1979-1980 |
|
|
THE LATE CHRISTOPHER BEAN |
Howard Sidney |
|
RELATIVELY SPEAKING |
Alan Ayckbourn |
|
A DOLL’S HOUSE |
Henrik Ibsen |
|
LIGHT UP THE SKY |
Moss Hart |
|
MRS. MCTHING |
Mary Chase |
|
NO SEX PLEASE, WE’RE BRITISH |
Anthony Marriott & Alistair Foot |
|
STRANGE BEDFELLOWS |
Florence Ryerson & Colin Clements |
|
|
|
|
1978-1979 |
|
|
THE SILVER WHISTLE |
Robert E. McEnroe |
|
THE CHILDREN’S HOUR |
Lillian Hellman |
|
LAURA |
Vera Caspary & George Sklar |
|
THE SOLID GOLD CADILLAC |
Howard Teichmann & George S. Kaufman |
|
ALL MY SONS |
Arthur Miller |
|
PLAY IT AGAIN, SAM |
Woody Allen |
|
|
|
|
1977-1978 |
|
|
THE PHILADELPHIA STORY |
Philip Barry |
|
I NEVER SANG FOR MY FATHER |
Robert Anderson |
|
ANGEL STREET |
Patrick Hamilton |
|
HOW THE OTHER HALF LOVES |
Alan Ayckbourn |
|
FIVE FINGER EXERCISE |
Peter Shaffer |
|
THE MATCHMAKER |
Thornton Wilder |
|
|
|
|
1976-1977 |
|
|
THE MALE ANIMAL |
James Thurber |
|
THE CRUCIBLE |
Arthur Miller |
|
WHO KILLED SANTA CLAUS? |
Terence Feely |
|
AN INSPECTOR CALLS |
J.B. Priestley |
|
IN PRAISE OF LOVE |
Terence Rattigan |
|
A COMMUNITY OF TWO |
Jerome Chodorov |
|
|
|
|
1975-1976 |
|
|
FINISHING TOUCHES |
Jean Kerr |
|
TEN LITTLE INDIANS |
Agatha Christie |
|
SIX RMS RIV VU |
Bob Randall |
|
CROWN MATRIMONIAL |
Royce Ryton |
|
THE PRISONER OF SECOND AVENUE |
Neil Simon |
|
THE DEVIL’S DISCIPLE |
George Bernard Shaw |
|
THE IMPORTANCE OF BEING EARNEST |
Oscar Wilde |
|
NO, NO, A THOUSAND TIMES NO! |
Bud Tompkins & Eskel Crawford |
|
|
|
|
1974-1975 |
|
|
FORTY CARATS |
Jay Allen (after P. Barillet & J. P. Gredy) |
|
SUMMER AND SMOKE |
Tennessee Williams |
|
NIGHT WATCH |
Lucille Fletcher |
|
BLITHE SPIRIT |
Noel Coward |
|
ANTIGONE |
Jean Anouilh (trans. L. Galantière) |
|
THE CURIOUS SAVAGE |
John Patrick |
|
LAST OF THE RED HOT LOVERS |
Neil Simon |
|
|
|
|
1973-1974 |
|
|
RIGHT YOU ARE (if you think you are) |
Luigi Pirandello |
|
SKIN OF OUR TEETH |
Thornton Wilder |
|
BUTTERFLIES ARE FREE |
Leonard Gershe |
|
HAY FEVER |
Noel Coward |
|
IT’S NEVER TOO LATE |
Felicity Douglas |
|
TARTUFFE |
Molière (trans. R. Wilbur) |
|
|
|
|
1972-1973 |
|
|
THE BEST MAN |
Gore Vidal |
|
BREATH OF SPRING |
Peter Coke |
|
PLAZA SUITE |
Neil Simon |
|
THE SOUND OF MURDER |
William Fairchild |
|
A STREETCAR NAMED DESIRE |
Tennessee Williams |
|
BRIGADOON |
Frederick Loewe (music) / Alan J. Lerner (book and lyrics) |
|
|
|
|
1971-1972 |
|
|
HARVEY |
Mary Chase |
|
THE BARRETTS OF WIMPOLE STREET |
Rudolf Besier |
|
DOUBLE IN DIAMONDS |
Fred Carmichael |
|
INVITATION TO A MARCH |
Arthur Laurents |
|
THE PRICE |
Arthur Miller |
|
THREE MEN ON A HORSE |
George Abbott & John Cecil Holm |
|
|
|
|
1970-1971 |
|
|
SEE HOW THEY RUN |
Philip King |
|
CAT ON A HOT TIN ROOF |
Tennessee Williams |
|
COME BLOW YOUR HORN |
Neil Simon |
|
DESIGN FOR MURDER |
George Batson |
|
SPOFFORD |
Herman Shumlin |
|
THE TEN O’CLOCK SCHOLAR |
Lewis Banci & Milburn Smith |
|
|
|
|
1969-1970 |
|
|
WAIT UNTIL DARK |
Frederick Knott |
|
DON’T DRINK THE WATER |
Woody Allen |
|
SILENT NIGHT, LONELY NIGHT |
Robert Anderson |
|
JANUS |
Carolyn Green |
|
THE LION IN WINTER |
James Goldman |
|
CACTUS FLOWER |
Abe Burrows |
|
|
|
|
1968-1969 |
|
|
STRANGE BEDFELLOWS |
Florence Ryerson & Colin Clements |
|
WITNESS FOR THE PROSECUTION |
Agatha Christie |
|
THE TIME OF THE CUCKOO |
Arthur Laurentz |
|
A RAINY DAY IN NEWARK |
Howard Teichmann |
|
MIDDLE OF THE NIGHT |
Paddy Chayefsky |
|
THE ODD COUPLE |
Neil Simon |
|
|
|
|
1967-1968 |
|
|
THE ABSENCE OF A CELLO |
Ira Wallach |
|
ANNE OF THE THOUSAND DAYS |
Maxwell Anderson |
|
THE SUBJECT WAS ROSES |
Frank D. Gilroy |
|
BOEING-BOEING |
Marc Camoletti (trans. B. Cross) |
|
CATCH ME IF YOU CAN |
Jack Weinstock & Willy Gilbert (after R. Thomas) |
|
BAREFOOT IN THE PARK |
Neil Simon |
|
TALL STORY |
Howard Lindsay & Russel Crouse |
|
|
|
|
1966-1967 |
|
|
BEEKMAN PLACE |
Samuel Taylor |
|
A CASE OF LIBEL |
Henry Denker |
|
NEVER TOO LATE |
Sumner Arthur Long |
|
A VIEW FROM THE BRIDGE |
Arthur Miller |
|
ANY WEDNESDAY |
Muriel Resnik |
|
THE GREAT SEBASTIANS |
Howard Lindsay & Russel Crouse |
|
TAKE HER, SHE’S MINE |
Phoebe & Henry Ephron |
|
|
|
|
1965-1966 |
|
|
THE VELVET GLOVE |
Rosemary Casey |
|
WRITE ME A MURDER |
Frederick Knott |
|
THE GRASS IS GREENER |
Hugh & Margaret Williams |
|
CALCULATED RISK |
Joseph Hayes |
|
UNDER THE SYCAMORE TREE |
Samuel Spewack |
|
MARY, MARY |
Jean Kerr |
|
PLAIN AND FANCY |
Albert Hague (music) / Joseph Stein & Will Glickman (book) |
|
|
|
|
1964-1965 |
|
|
A THOUSAND CLOWNS |
Herb Gardner |
|
DEATH TAKES A HOLIDAY |
Walter Ferris (after A. Casella) |
|
KIND SIR |
Norman Krasna |
|
GIGI |
Anita Loos (after Colette) |
|
A MAN FOR ALL SEASONS |
Robert Bolt |
|
EVERYBODY LOVES OPAL |
John Patrick |
|
TAKE ME ALONG |
Bob Merrill (music & lyrics) / Joseph Stein & Robert Russell (book) |
|
|
|
|
1963-1964 |
|
|
NIGHT MUST FALL |
Emlyn Williams |
|
SUNDAY IN NEW YORK |
Norman Krasna |
|
A FAR COUNTRY |
Henry Denker |
|
A SHOT IN THE DARK |
Harry Kurnitz (after M. Achard ) |
|
SABRINA FAIR |
Samuel Taylor |
|
LIFE WITH FATHER |
Howard Lindsay & Russel Crouse |
|
CRITIC’S CHOICE |
Ira Levin |
|
|
|
|
1962-1963 |
|
|
THE UNEXPECTED GUEST |
Agatha Christie |
|
DEAR CHARLES |
Alan Melville |
|
PICNIC |
William Inge |
|
THE CAPTAIN’S PARADISE |
Alec Coppel |
|
INHERIT THE WIND |
Jerome Lawrence & Robert E. Lee |
|
VISIT TO A SMALL PLANET |
Gore Vidal |
|
SEND ME NO FLOWERS |
Norman Barasch & Carroll Moore |
|
|
|
|
1961-1962 |
|
|
THE PLEASURE OF HIS COMPANY |
Samuel Taylor |
|
THE GAZEBO |
Alec Coppel |
|
THE MARRIAGE-GO-ROUND |
Leslie Stevens |
|
ELIZABETH THE QUEEN |
Maxwell Anderson |
|
A MAJORITY OF ONE |
Leonard Spigelgass |
|
ROAR LIKE A DOVE |
Lesley Storm |
|
SEPARATE ROOMS |
Joseph Carole & Alan Dinehart |
|
|
|
|
1960-1961 |
|
|
THIRD BEST SPORT |
Eleanor & Leo Bayer |
|
LOOK HOMEWARD ANGEL |
Ketti Frings |
|
ONCE MORE WITH FEELING |
Harry Kurnitz |
|
THE HIGHEST TREE |
Dore Schary |
|
SPEAKING OF MURDER |
Audrey & William Ross |
|
AUNTIE MAMIE |
Jerome Lawrence & Robert Lee |
|
WAKE UP, DARLING |
Alex Gottlieb |
|
|
|
|
1959-1960 |
|
|
THE HAPPIEST MILLIONAIRE |
Kyle Crichton |
|
THE MAN IN THE DOG SUIT |
Albert Beich & William H. Right (after E. Corle) |
|
MONIQUE |
Dorothy & Michael Blankfort |
|
THE ITHACAN |
Saul Gladstone |
|
THE CHALK GARDEN |
Enid Bagnold |
|
THE GIRLS IN 509 |
Howard Teichmann |
|
SUSAN SLEPT HERE |
Steve Fisher |
|
|
|
|
1958-1959 |
|
|
BUS STOP |
William Inge |
|
SEPARATE TABLES |
Terence Rattigan |
|
THE SOUTHWEST CORNER |
John Cecil Holm |
|
BERKELEY SQUARE |
John L. Balderston |
|
VENUS OBSERVED |
Christopher Fry |
|
HOLIDAY FOR LOVERS |
Ronald Alexander |
|
JANUS |
Carolyn Green |
|
FOR LOVE OR MONEY |
F. Hugh Herbert |
|
|
|
|
1957-1958 |
|
|
THE SOLID GOLD CADILLAC |
Howard Teichmann & George S. Kaufman |
|
THE MOUSETRAP |
Agatha Christie |
|
THE WHITE SHEEP OF THE FAMILY |
L. du Garde Peach & Ian Hay |
|
THE DESPERATE HOURS |
Joseph Hayes |
|
THE DESK SET |
William Marchant |
|
THE RELUCTANT DEBUTANTE |
William Douglas Home |
|
THE TENDER TRAP |
Max Schulman & Robert Paul Smith |
|
|
|
|
1956-1957 |
|
|
RECLINING FIGURE |
Harry Kurnitz |
|
THE GIOCONDA SMILE |
Aldous Huxley |
|
THE RAINMAKER |
Richard Nash |
|
ANASTASIA |
Marcelle Maurette (Adapt. G. Bolton) |
|
A ROOMFUL OF ROSES |
Edith Sommer |
|
GOODBYE, MY FANCY |
Fay Kanin |
|
PRIVATE LIVES |
Noel Coward |
|
CHAMPAGNE COMPLEX |
Leslie Stevens |
|
|
|
|
1955-1956 |
|
|
TIME OUT FOR GINGER |
Ronald Alexander |
|
DIAL ‘M’ FOR MURDER |
Frederick Knott |
|
KING OF HEARTS |
Jean Kerr & Eleanor Brooks |
|
GUEST IN THE HOUSE |
Hagar Wilde & Dale Eunson |
|
THE GLASS MENAGERIE |
Tennessee Williams |
|
TREASURE HUNT |
M. J. Farrell & John Perry |
|
LATE LOVE |
Rosemary Casey |
|
FANCY MEETING YOU AGAIN |
George S. Kaufman & Leueen MacGrath |
|
|
|
|
1954-1955 |
|
|
YES, M’LORD |
William Douglas Home |
|
THE HOLLY AND THE IVY |
Wynyard Browne |
|
THE PRESCOTT PROPOSALS |
Lindsay Howard & Russell Crouse |
|
THE LADY’S NOT FOR BURNING |
Christopher Fry |
|
AH, WILDERNESS |
Eugene O’Neill |
|
MY THREE ANGELS |
Sam & Bella Spewack |
|
HOLIDAY |
Philip Barry |
|
MR. BARRY’S ETCHINGS |
Walter Bullock & Daniel Archer |
|
CLAUDIA |
Rose Franken |
|
|
|
|
1953-1954 |
|
|
BELL, BOOK AND CANDLE |
John van Druten |
|
LOVE FROM A STRANGER |
Frank Vosper |
|
THE MOON IS BLUE |
F. Hugh Herbert |
|
JANE |
S. N. Behrman (after W. S. Maugham) |
|
THE COUNTRY GIRL |
Clifford Odets |
|
LEGEND OF SARAH |
James Gow & Arnaud D’Usseau |
|
HERE WE COME GATHERING |
Philip King & Anthony Armstrong |
|
MIRANDA |
Peter Blackmore |
|
THE FAMILY MAN |
William McCleery |
|
|
|
|
1952-1953 |
|
|
PRESENT LAUGHTER |
Noel Coward |
|
PINK STRING AND SEALING WAX |
Roland Pertwee |
|
THE HAPPY TIME |
Samuel Taylor |
|
THERESE |
Thomas Job |
|
MARY OF SCOTLAND |
Maxwell Anderson |
|
THE PHILADELPHIA STORY |
Philip Barry |
|
JOHN LOVES MARY |
Norman Krasna |
|
AFFAIRS OF STATE |
Louis Verneuil |
|
RING AROUND ELIZABETH |
Charlotte Armstrong |
|
|
|
|
1951-1952 |
|
|
FATHER OF THE BRIDE |
Caroline Franke |
|
HARVEY |
Mary Chase |
|
THE HEIRESS |
Ruth & August Goetz |
|
THE LIVE WIRE |
Garson Kanin |
|
COME BACK, LITTLE SHEBA |
William Inge |
|
CALL IT A DAY |
Dodie Smith |
|
THE SPIDER |
Fulton Ousler & Lowell Brentano |
|
BLITHE SPIRIT |
Noel Coward |
|
GOOD HOUSEKEEPING |
William McCleery |
|
|
|
|
1950-1951 |
|
|
BORN YESTERDAY |
Garson Kanin |
|
KIND LADY |
Edward Chodorov |
|
TWO BLIND MICE |
Samuel Spewack |
|
THE PASSING OF THE THIRD FLOOR BACK |
Jerome K. Jerome |
|
THE SILVER WHISTLE |
Robert E. McEnroe |
|
LIGHT UP THE SKY |
Moss Hart |
|
KISS AND TELL |
S. Hugh Herbert |
|
I LIKE IT HERE |
A. B. Shiffrin |
|
A MENNONITE MAID |
H. R. Martin & F. Howe |
|
|
|
|
1949-1950 |
|
|
FOR LOVE OR MONEY |
Frederick Hugh Herbert |
|
SUSPECT |
Edward Percy & Reginald Denham |
|
THE GREAT BIG DOORSTEP |
Frances Goodrich & Albert Hackett |
|
THE LEADING LADY |
Ruth Gordon |
|
JENNY KISSED ME |
Jean Kerr |
|
HEAVEN CAN WAIT |
Harry Segall |
|
THERE’S ALWAYS JULIET |
John Van Druten |
|
THE LATE CHRISTOPHER BEAN |
Sidney Howard |
|
SKYLARK |
Samson Raphaelson |
|
|
|
|
1948-1949 |
|
|
STATE OF THE UNION |
Howard Lindsay & Russell Crouse |
|
THE LATE GEORGE APLEY |
John P. Marquand & George S. Kaufman |
|
AN INSPECTOR CALLS |
J. B. Priestley |
|
ARMS AND THE MAN |
George Bernard Shaw |
|
THE TWO MRS. CARROLLS |
Martin Vale |
|
I REMEMBER MAMA |
John van Druten |
|
|
|
|
1947-1948 |
|
|
DEAR RUTH |
Norman Krasna |
|
JOAN OF LORRAINE |
Maxwell Anderson |
|
LAURA |
Vera Caspary & George Sklar |
|
THEATRE |
Guy Bolton (after W. S. Maugham) |
|
THE LITTLE FOXES |
Lillian Hellman |
|
THE TORCHBEARERS |
George Kelly |
|
|
|
|
1946-1947 |
|
|
MY SISTER EILEEN |
Joseph A. Fields & Jerome Chodorov |
|
THE HASTY HEART |
John Patrick |
|
MRS. MOONLIGHT |
Benn W. Levy |
|
THE HIGH ROAD |
Frederick Lonsdale |
|
ANGEL STREET |
Patrick Hamilton |
|
APPLE OF HIS EYE |
Kenyan Nicholson & Charles Robinson |
|
|
|
|
1945-1946 |
|
|
HAY FEVER |
Noel Coward |
|
LADIES IN RETIREMENT |
Edward Percy & Reginald Denham |
|
THE CORN IS GREEN |
Emlyn Williams |
|
SKYLARK |
Samson Raphaelson |
|
SNAFU |
Louis Solomon & Harold Buchman |
|
|
|
|
1944-1945 |
|
|
ARSENIC AND OLD LACE |
Joseph Kesselring |
|
OUR TOWN |
Thornton Wilder |
|
THE GUARDSMAN |
Ferenc Molnar |
|
PAPA IS ALL |
Patterson Greene |
|
THE TAVERN |
George M. Cohan |
|
|
|
|
1943-1944 |
|
|
DARK EYES |
Elena Miramova & Eugenie Leontovich |
|
SPRING AGAIN |
Isabel Leighton & Bertram Bloch |
|
RING AROUND ELIZABETH |
Charlotte Armstrong |
|
CRAIG’S WIFE |
George Kelly |
|
THE MAN WHO CAME TO DINNER |
Goerge S. Kaufman & Moss Hart |
|
|
|
|
1942-1943 |
|
|
PETTICOAT FEVER |
Mark Reed |
|
THE CIRCLE |
W. Somerset Maugham |
|
JANE CLEGG |
St. John G. Ervine |
|
OLD ACQUAINTANCE |
John van Druten |
|
THE WITCH |
John Masefield |
|
MR. AND MRS. NORTH |
Owen Davis |
|
|
|
|
1941-1942 |
|
|
PYGMALION |
George Bernard Shaw |
|
SEVENTH HEAVEN |
Austin Strong |
|
MARGIN FOR ERROR |
Clare Boothe |
|
ICEBOUND |
Owen Davis |
|
LET US BE GAY |
Rachel Crothers |
|
GEORGE WASHINGTON SLEPT HERE |
George S. Kaufman and Moss Hart |
|
|
|
|
1940-1941 |
|
|
TWO ON AN ISLAND |
Elmer Rice |
|
FAMILY PORTRAIT |
Lenore Coffee & William Cowen |
|
THE DARK TOWER |
Alexander Woollcott & George S. Kaufman |
|
THE CONSTANT WIFE |
W. Somerset Maugham |
|
DOUBLE DOOR |
Elizabeth McFadden |
|
YOU CAN'T TAKE IT WITH YOU |
George S. Kaufman & Moss Hart |
|
|
|
|
1939-1940 |
|
|
WHEN LADIES MEET |
Rachel Crothers |
|
ANNA CHRISTIE |
Eugene O’Neill |
|
ART AND MRS. BOTTLE |
Benn W. Levy |
|
THEY KNEW WHAT THEY WANTED |
Sidney Howard |
|
THE ANIMAL KINGDOM |
Philip Barry |
|
AND SO TO BED |
J. B. Fagan |
|
|
|
|
1938-1939 |
|
|
TOVARICH |
Robert E. Sherwood (after J. Deval) |
|
TOMORROW AND TOMORROW |
Philip Barry |
|
GEORGE AND MARGARET |
Gerald Savory |
|
WINTERSET |
Maxwell Anderson |
|
IS LIFE WORTH LIVING? |
Lennox Robinson |
|
TONIGHT AT 8:30 |
Noel Coward |
|
|
|
|
1937-1938 |
|
|
FIRST LADY |
George S. Kaufman & Katharine Dayton |
|
CANDIDA |
George Bernard Shaw |
|
ANOTHER LANGUAGE |
Rose Franken |
|
BIOGRAPHY |
S. N. Behrman |
|
NIGHT MUST FALL |
Emlyn Williams |
|
THE PURSUIT OF HAPPINESS |
Lawrence Langner & Armina Marshall |
|
|
|
|
1936-1937 |
|
|
THE PETRIFIED FOREST |
Robert E. Sherwood |
|
ON APPROVAL |
Frederick Lonsdale |
|
A BILL OF DIVORCEMENT |
Clemence Dane |
|
SATURDAY’S CHILDREN |
Maxwell Anderson |
|
ACCENT ON YOUTH |
Samson Raphaelson |
|
TIGER ROSE |
Willard Mack |
|
|
|
|
1935-1936 |
|
|
HER MASTER’S VOICE |
Clare Kummer |
|
THE LATE CHRISTOPHER BEAN |
Sidney Howard |
|
THERE’S ALWAYS JULIET |
John Van Druten |
|
|
|
|
1934-1935 |
|
|
AS HUSBANDS GO |
Rachel Crothers |
|
THE GOOD HOPE |
Herman Heijermans |
|
THE DEVIL PASSES |
Benn W. Levy |
|
|
|
|
1933-1934 |
|
|
THE COFFEE HOUSE |
Carlo Goldoni (trans. H. B. Fuller) |
|
ESCAPE |
John Galsworthy |
|
THE QUEEN’S HUSBAND |
Robert E. Sherwood |
|
|
|
|
1932-1933 |
|
|
THE ROYAL FAMILY |
Edna Ferber & George S. Kaufman |
|
LEAH KLESCHNA |
C. M. S. McLellan |
|
THE FIRST MRS. FRASER |
St. John G. Ervine |
|
|
|
|
1931-1932 |
|
|
BIRD IN HAND |
John Drinkwater |
|
THUNDER IN THE AIR |
Robins Millar |
|
THE ENCHANTED APRIL |
Kane Campbell (after E. von Arnim) |
|
|
|
|
1930-1931 |
|
|
SUN-UP |
Lula Vollmer |
|
THE FOURTH WALL |
A. A. Milne |
|
ENTER MADAME |
Gilda Varesi & Dolly Byrne |
|
|
|
|
1929-1930 |
|
|
YOU AND I |
Philip Barry |
|
THE DRUMS OF OUDE |
Austin Strong |
|
OP-O-ME THUMB |
Frederick Fenn & Richard Pryce |
|
MRS. BUMPSTEAD-LEIGH |
Harry James Smith |